Tag Archives: Frances McDormand

Paddylast Inc’s Oscars 2018 Predictions!

It’s the time of the year again to give out the film’s highest honors in Hollywood and I’ve a feeling that there’ll be a bit of a surprise in what most assumed are already “locked” categories.

Best Picture:
This is going to be an easy pick for me. As much as I’d love for The Shape of Water to win this award, I’ve to give it to Three Billboards Outside Ebbing, Missouri. On a technical perspective and story-wise, The Shape of Water hands down wins this one but it feels like based on the most recent winners from this category, the voters tends to go to something that has a stronger and in-your face social impact. Three Billboards doesn’t have the subtlety Del Torro’s film has so that alone hurts The Shape Water’s chances.

Most Likely to Upset: The Shape of Water

Best Director:
This should go to Guillermo Del Toro. He may not win Best Picture but The Shape of Water is arguably his best work to date and it would be an injustice not to give him this nod.

Most Likely to Upset: I want to say that this is already locked for him, but for shock value I’m going to say Greta Gerwig for her directorial debut in Lady Bird. This scenario is highly unlikely but I won’t be that mad if she’d steal this one from Del Toro.

Best Actress: (Locked)
I’ve seen all of the films of the actresses nominated in this category so it’s kind of difficult for me to regard anyone as THE BEST. With that being said, I feel like Frances McDormand is already locked to win this. Sally Hawkins is a good second choice but McDormand just happened to sweep all of the precursor awards so there’s that.

Best Actor:
I’d be in the minority right here predicting an upset by Timothee Chalamet to the season’s frontrunner Gary Oldman. I initially pegged Oldman locked to win this but I’ve this nagging feeling that this would be the biggest upset of the night. Chalamet’s performance in Call Me By Your Name does seem like a once in a blue moon performance from such a very young and promising actor. In comparison to Oldaman’s stunning portrayal of Winston Churchill in the Darkest Hour, Chalamet didn’t need the help of prosthetics to actually translate something extraordinary into the screen.

Most Likely to Upset: Timothee Chalamet to Gary Oldman’s frontrunner position.

Best Supporting Actress: (Locked)
I don’t even know what to say about Allison Janney. She’s just simply sublime in I, Tonya.

Best Supporting Actor: (Locked)
Sam Rockwell’s character as a racist police officer is entirely believable that it is so easy to get angry at both the actor and the character he’s playing. That is how effective he was. This is a solid performance and no one even comes close.

Best Original Screenplay:
The Shape of Water – Guillermo Del Toro & Vanessa Taylor

Best Adapted Screenplay:
Call Me By Your Name – James Ivory

Best Animated Feature Film:
Coco – Lee Unkrich & Darla K. Anderson

Best Original Score:
Star Wars: The Last Jedi – John Williams

Best Original Song:
Remember Me from Coco by Kristen Anderson-Lopez and Robert Lopez

Best Cinematography:
Blade Runner 2049 – Roger Deakins

Best Makeup and Hairstyling:
Victoria & Abdul – Lou Sheppard

Best Production Design:
Blade Runner 2049 – Dennis Gassner, Alessandra Querzola

Most Likely to Upset: Victoria & Abdul

Best Costume Design:
For something about Costume, this should be locked for Phantom Thread.

Most Likely to Upset: Victoria & Abdul

Best Film Editing:
Dunkirk – Lee Smith (Locked)

Best Sound Editing: (Locked)
Dunkirk

Best Sound Mixing: (Locked)
Dunkirk

Best Foreign Language Film:
Una Mujer Fantastic a (A Fantastic Woman) from Chile by Sebastian Lelio

Most Likely To Upset: Sweden’s The Square by Ruben Ostlund.

Beat Visual Effects:
Blade Runner 2049

I do not have any basis for the documentary features so I won’t make any predictions for said categories.

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Film Review: Three Billboards Outside Ebbing, Missouri (2017)

via impawards

Three Billboards Outside Ebbing, Missouri for me felt like an examination of how deep the connection a mother has with her children and how far she’s willing to go for them. In the film, Frances McDormand’s character Mildred Hayes boldly put up three billboards that questions the authority for seemingly not doing anything about her daughter’s murder.

McDormand’s portrayal of grief – misplaced or not – that is not only seen but felt. It is so palpable on screen it makes you feel her anger and frustrations. All of her solo scenes are nothing short of sublime.

 

Then there’s Dixon – a xenophobe police officer in Ebbing. I’ve to admit that I was a bit uncomfortable with Sam Rockwell’s character. A portrayal which reminded me so much of his evil character ‘Wild Bill’ in The Green Mile. He was so effective here that his character angers me so much..

It’s funny that this picture so thoughtfully reminded me of the very divided America now under Donald Trump. Dixon (Rockwell) feels like a personification of what everything Donal Trump represents pre-reading the letter Chieft Willoughby have written for him.

This isn’t just about the fight of Mildred Hayes for justice. I want to believe that this goes deeper than that. This is a representation on apathy and how evil humans could get. Was I convinced by that ending? By Dixon’s redemption? Not quite, but as Chief Willoughby told Dixon thru a letter – all we need is love. Cringy but worth contemplating.

Director: Martin McDonagh
Cast: Frances McDormand, Woody Harrelson, Sam Rockwell, Caleb Landry Jones, Kerry Condon, Darrell Britt-Gibson, Abbie Cornish, Lucas Hedges, Željko Ivanek, Amanda Warren, Peter Dinklage, Kathryn Newton, John Hawkes, Samara Weaving, Clarke Peters, Brendan Sexton III
Rating: 4 out of 5 stars

The film received seven nominations, including Best Picture, Best Original Screenplay, Best Actress for McDormand and Best Supporting Actor nominations for Harrelson and Rockwell at the 90th Academy Awards.