Category Archives: Books

Book Review: The Giver by Lois Lowry

Published in 1993, The Giver is a children’s novel with a considerably thought-provoking theme. I’ve just heard about this book because of its upcoming movie adaptation. I was checking out Meryl Streep’s upcoming movies and got curious about them. It’s a shame that in the public school where I studied, we never had materials like this to read; mostly, they were academic books that were just related to our eight-subject curriculum. This feels like I’m defending myself from not reading this during my earlier years, but yes, I guess I am. I didn’t have the adequacy then to find the best books to read; I’m trying, though, but enough about my blahblahblah of a childhood. lol

my copy of the book with my gohan :)
my copy of the book with my Gohan toy from my childhood 🙂

Prior to reading it in its entirety, I already found it interesting based on its summary and the reviews I’ve been reading on the net. The book focuses on Jonas, who lives in a community they call Sameness. Here, everything is in order, from the creation of a family unit to the educational system, jobs, and even deaths. It’s a seemingly utopian world where everything seems to be running fine until Jonas is selected to be the receiver of memories. They are memories of the world’s past—color, emotions, animals, etc.

After learning or receiving these memories from the Giver, Jonas gained the wisdom to really see beyond his eerily orderly community and decided to seek change. Knowing this was close to impossible, Jonas asked for the help of The Giver, but the only way he could create change was to escape from his community.

The book was surprisingly fast-paced and thoroughly concise. The idea of this utopian society was well dissected. Published several years before The Hunger Games, I could say that there are some sort of similarities, or at least a feeling of similarities, between the two. For one, you could easily compare Sameness to the Capitol and its districts. Perhaps it’s the strict compliance of its law? The advance technology? and even the distribution of jobs. And what’s so profound about the two is the fact that in The Giver, the community was made to forget the memories that they deemed unpleasant or unnecessary, while in The Hunger Games, people in the districts were always reminded of a revolution against the Capitol’s oppression through a cruel game, and its people were deprived of something that they had “the right to” in the past. There is some sort of ironic parallelism between the two that ultimately symbolizes a lot of things that were happening then and now.

Incidentally, the book has three accompanying novels entitled Gathering Blue, Messenger, and Son, which are all set in the same timeline.

It was a nice read that will make you eager to learn more, to continue with the journey with Jonas and Gabriel, and to see what has become of them.

I fervently wished that this book would find its way to the schools here in Pampanga (my province) because this could really set out a great deal of discussion amongst our youth here.

Review: The Wolf Of Wall Street (2013)

Oscar Trophy - Specials

Based on Jordan Belfort’s memoir, The Wolf Of Wall Street adequately narrates Belfort’s (Leonardo DiCaprio) conquest in New York making it big in Wall Street at any cost. Adapted by Terence Winter who created  HBO’s Boardwalk Empire and have written in the award winning The Sopranos, Director Martin Scorsese and Leonardo DiCaprio partnered once again as they introduced as to Belfort’s world encompassing his rich and lavish lifestyle that includes drugs, sex and anything that money can buy.

When I “personally” pointed out that Jennifer Lawrence was seemingly the heir apparent to Meryl Streep, I immediately thought of his male counterpart and I easily thought of Leo. He’s perfection for the role and his subtle charm and overflowing charisma easily translates into the screen. Truly Leonardo DiCaprio is one of a kind. Some critics said that he’s sometimes too rehearsed or too exaggerated but I beg to disagree, dear Sir and Ma’am. I thought he’s acting style is singular because he knows how to commit into a character. Jonah Hill (who played Donnie, Belfort’s neighbor) was such a delight as he explode here with his comedic timing like no other actor could do. A one of a kind performance as well that nagged him several acclaims since its run. Margot Robbie whom I thought looked ravishing was equally amazing as Naomi Belfort – she’s just so fun to watch!

I’ve to say though, that what truly stands out in this film aside from the three actors that I mentioned above was the perfect use of scoring and cinematography. Both enamored me into feeling that this truly was the 90’s.  The 90’s was my growing up years and it felt fluid and too reminiscent all throughout the film. That is what I call good direction.

This is yet another Scorsese’s masterpiece depicting a charming Leo as a hero who scammed millions of dollars from unsuspecting investors – which is basically what the film’s all about. Their partnership was truly a force in the industry. Leo knows what Marty wanted him to do in this film and both delivered exceptionally well. Leo’s truly a gem in film.

Leonardo, you are simply magnificent. (mimicking Marion Cottilard during her Oscar presentation to Kate Winslet. LOL)

Director: Martin Scorsese
Cast: Leonardo DiCaprio, Jonah Hill, Margot Robbie, Matthew McConaughey, Kyle Chandler, Rob Reiner, Jon Bernthal, Job Favreau, Jean Dujardin, Joanna Lumley, Cristin Milioti, Christine Ebersole, Shea Whigham, Katarina Cas, P.J. Byrne, Kenneth Choi, Brian Sacca, Henry Zebrowski, Ethan Suplee, Barry Rothbart, Jake Hoffman, Mackenzie Meehan, Spike Jonze, Bo Dietl

Rating: 9.5/10

*The Wolf Of Wall Street received five Academy Award nominations, including the Best Picture category.

Review: Captain Phillips (2013)

Captain Phillips chronicles the hijacking of the US container ship Maersk Alabama by a group of Somali Pirates. Led by Captain Richard Phillips, the film depicted his captivity and the instances that follows his release. Based on A Captain’s Duty: Somali Pirates, Navy SEALs, and Dangerous Days at Sea by Richard Phillips himself, the film isn’t as simple as it seemed. There were moments in it that some scenes oddly seemed predictable but due to their intensity, it still gives you that staggering affect of thrill and terror.

Tom Hanks for one delivered a powerful portrayal of someone under the mercy of another man. His interaction with pirate leader Muse (Barkhad Abdi) provided the heart of the film. Scenes that feels human and stretch a keen observation of the difference between two cultures.

Newcomer Barkhad Abdi provided a beautiful acting performance here that deserves respect and accolades. There was a raw approach in it, perhaps because he’s new but whatever it was – he should always make use of it.

This was a well-made film for it adapted a real event with less dramatics but more focus. Tom Hanks yet again proved why he’s still here and Paul Greengrass should be proud of this one because it’s truly a gem to be cited by film reviewers and film makers in the future.

Director: Paul Greengrass
Starring: Tom Hanks, Barkhad Abdi, Catherine Keener, Faysal Ahmed, David Washofsky, Corey Johnson, Chris Mulkey, Yuz Vazquez, Max Martini, Omar Berdouni

Rating: 8/10

*Captain Phillips received six Academy Award nominations, including the Best Picture category.

Review: 12 Years A Slave (2013)

via wikipedia

via wikipedia

Adapted from Solomon Northup’s autobiography, 12 Years A Slave chronicles the enduring and most of the time painful memory of Northup’s life into slavery. Born as a freeman, Northup was abducted and was sold as a slave from master to master and eventually grasping the freedom he never thought would come.

Prior to watching the film, I already have a preconceived idea about what’s it going to be. Not a clear one but almost a foreshadowing on how this would turn out – sold into slavery then the lead fought for freedom and that’s it. I was wrong though – blatantly  wrong.

12 Years A Slave may very well be the best movie of all time to capture the heart and soul of that nasty memory of human history where slavery and racial inequality was the most prevalent thing in the world that it’s almost dreamy.  Director Steve McQueen did not back down on letting us see the almost physical and psychological trauma that will engulf his audience. I for one felt a bit uncomfortable watching some of the scenes especially that scene when Patsey (Lupita Nyong’o,) a fellow slave was stripped, tied to a post and was whipped by Solomon (Chiwetel Ejiofor) himself and his second master Edwin Epps (Michael Fassbender.) It was just heartbreaking and totally painful to watch.

 Now, speaking of the three, they all provided the right synergy to connect with their audience. Lupita Nyong’o delivered an almost innocent and flawless performance that I find myself overwhelmed by it. Michael Fassbender, the sadistic and drunk second master of Solomon was perfection here! He provided that lethal feel to the character yet at some point, you’d also feel for him.

Chiwetel Ejiofor on the other hand was almost numb to what’s happening with his character that his Solomon was flowing through him. He is him. Ejiofor was translucent and targeted his audience with those eyes – haunting eyes, blaming, begging, piercing eyes. This was a performance so powerful it will break you.

As an afterthought, the film was consistent in providing a drastic storyline that encompasses Solomon’s life to the point that it’s almost nonsensical to ask for more. It was sentimental, yes, but it provides authority. Sure, it’s a total Oscar bait but it’s all worth it. It was a film that is worthy of talk and worthy of endurance amongst all the films to come in later years.

Rating: 9.5 / 10

Director: Steve McQueen
Starring Chiwetel Ejiofor, Michael Fassbender, Lupita Nyong’o, Sarah Paulson, Benedict Cumberbatch, Brad Pitt, Paul Dano, Adepero Oduye, Paul Giamatti, Alfre Woodard

Book Review: The Great Santini by Pat Conroy

via barnesandnoble.com
via barnesandnoble.com

Inspired by his life as a kid growing up with a military dad, Pat Conroy delivered a book so surreal that a character like Bull Meecham will stick with you as someone you’d all be willing to hate and all too caring to love. As with most of his books, The Great Santini followed the same structure as some of his equally well-beloved novels. a domineering and most of the time abusive father, a strong-willed yet passive mother, and children whose strengths were formed over the years through a tumultuous childhood.

I became an instant fan of Pat Conroy when I first read one of his novels, Beach Music (my all-time favorite), and I eventually read most of his books I could get my hands on, including The Prince of Tides, The Water Is Wide, The Lords of Discipline, South Of Broad, and this masterpiece published in 1976 and made into a 1979 film starring Robert Duvall.

The film received two Academy Awards nomination for Best Actor in a Leading Role for Duvall and Best Actor in a supporting role for Michael O'Keefe
The film received two Academy Awards nomination for Best Actor in a Leading Role for Duvall and Best Actor in a supporting role for Michael O’Keefe

Based on his experiences, it is always a pleasure to read one of Mr. Conroy’s novels. The Great Santini’s authenticity reduces me to half-hysteria, and more often than not, I find myself all too depressed to continue reading after a chapter yet too eager to know how things turned out for the characters that I came to love and root for. Bull Meecham, or the Great Santini, in the book reminded me so much of my father when I was a little boy, and overtime, I realized how much I missed those days when my Tatay’s words were the law at home, which eventually subsided as he was consumed by age and eventually by death. (I’d take all his orders with glee just to see him now.)

In some ways, I love how I could relate to the Meecham kids. I just love how a book like this could easily place itself in the territory of my heart and evoke certain memories from my long-forgotten yet missed past—that is the power of The Great Santini.

Rating: 4 out of 5 stars

Valentines Special: Julia Roberts’ Break Up E-mail From The Movie Eat Pray Love

So this was the break-up letter from the film Eat Pray Love that Liz (Julia Roberts) sent to her younger lover David (James Franco) whom she left in New York while on a sabbatical in Italy. I just find it so touching because it rang true in every sense.

Dear David,

We haven’t had any communication in a while, and it’s given me time I needed to think. Remember when you said we should live with each other and be unhappy so we could be happy? Consider it a testimony to how much I love you that I spent so long pouring myself into that offer, trying to make it work. But a friend took me to the most amazing place the other day it’s called, The Augustium. Octavian Augustus built it to house his remains. When the Barbarians came they trashed it along with everything else. The Great Augustus Rome’s first true great emperor. How could he have imagined that Rome, the whole world as far as he was concerned, one day would be in ruins. It’s one of the quietest and loneliest places in Rome. The city has grown up around it over centuries. Feels like a precious wound, Like a heartbreak you won’t let go of cause it hurts too good. We all want things to stay the same David. Settle for living in misery because we’re afraid of change, of things crumbling to ruins. Then I looked around in this place at the chaos it’s endured. The way it’s been adapted, burned, pillaged, and found a way to build itself back up again…and i was reassured. Maybe my life hasn’t been so chaotic, It’s just the world that is. And the only real trap is getting attached to any of it. ruin is a gift. Ruin is the road to transformation. Even in this eternal city. The Augustium showed me that we must always be prepared for endless waves of transformation.

Both of us deserve better than staying together because we’re afraid we’ll be destroyed if we don’t.

Liz,

James And Julia

Book Review: Thirteen Moons by Charles Frazier

During my teenage years up until my early twenties, I became so fond of reading books that I’d read a 500-plus page book non-stop until I finished it. Those were the days when life hadn’t gotten in the way yet.

Fast forward to the present, and I’m trying to re-introduce myself to the old me. That kid who loves his books and meets the likes of Augustus McCrae, Aurora Greenwood, Jack McCall, Paul Werner, Boo Radley, etc. through the writings of the great contemporary novelists. Yes, I’m not really a big “classics” fan, but I tried reading some of them.

So for starters, the first book that I’ve decided to dive into is “Thirteen Moons” by Charles Frazier, who also wrote Cold Mountain. (I’ve actually had tons of books unread for the past few years, and it still shocks me because I keep on buying them, hoping that I’ll read them all one by one—in time, I’m sure.) I bought Thirteen Moons about a year ago (one of my most recent purchases), and having read exceptional reviews online, I decided to start on it first and join Will Cooper’s journey.

Thirteen Moons is an historical novel by Charles Frazier released in 2006.
Thirteen Moons is an historical novel by Charles Frazier released in 2006.

The book had the same grasp as some of Larry McMurtry’s works. The storytelling is so powerful that every page is as important as the last. I loved it when books made you interact with their characters. You either root for them, loathe them, or even think about them long after you’ve finished reading the whole thing.

Thirteen Moons is a melancholic prose of a journey that encompasses the early years when the native American Indians were reigning supreme up to the progressive modernity that almost diminished their culture altogether. It was the nostalgic narration of a man who outlived everyone involved in his journey to make his place in the world. This thought actually made me sad. It made me feel for him, but it also made me critical of how things change so fast that your only reminder of the past would be the stories you’ve gathered throughout your life without the material mementos.

This book isn’t exactly a book that I’d keep repeating every now and then, but I’d definitely put it in a category that’s just below my most beloved ones. After all, this is, I reckon, masterful historical fiction that lends a sense of cultural acknowledgement and personal approbation to life in the early years of America.

Rating: 3 out of 5 stars

Review: Scent Of A Woman (1992)

Scent of a Woman tells the story of blind, retired Lt. Colonel Frank Slade (Al Pacino), who hires a young student, Charlie Simms (Chris O’Donnell), to accompany him on a Thanksgiving weekend trip to New York—a weekend that ends up changing both of their lives forever.

I’ve seen this film several times, and each viewing hits just as powerfully as the first. Pacino’s unforgettable performance—which finally earned him his first Oscar—is simply astonishing. It’s a masterclass in acting: bold, nuanced, and deeply human. This is cinematic performance at its finest. Singular. Flawless.

The film’s premise may seem modest, but it’s in the execution—especially in the performances—that Scent of a Woman truly shines. O’Donnell brings a sincere, understated charm to his role as the naive, morally conflicted student. His quiet presence perfectly balances Pacino’s explosive charisma, making their dynamic both believable and emotionally resonant.

What makes the film linger is how it explores dignity, honor, family, and what it really means to live. It’s more than just a character study—it’s a deeply human story, brought to life by a cast at the top of their game.

A warm, affecting, and powerful film, Scent of a Woman is one of those rare dramas that sticks with you long after the credits roll.


Rating: 9.5/10
Director: Martin Brest
Starring: Al Pacino, Chris O’Donnell, James Rebhorn, Gabrielle Anwar, Philip Seymour Hoffman
Based on: Il buio e il miele by Giovanni Arpino

Review: Oz The Great And Powerful (2013)

via wikipedia

via wikipedia

This film is an adaptation of the classic Wizard of Oz with a modern twist, that is. It is about Oscar Diggs (James Franco,) a con artist cum magician in a travelling circus whose main goal in life is to be “great” and “powerful” in the likes of Einstein, Edison et al. Until one fateful day, while being chased in a hot air balloon by a fellow circus worker – Oscar was flown to the magical Land of Oz where he met Theodora (Mila Kunis,) a witch who have been waiting for the “wizard” who will soon be king after defeating the witch of the dark forest. Oscar played along because he likes the idea of having power and being king. He was introduced to Theodora’s sister – the wicked witch and royal advisor Evanora (Rachel Weiz) who commanded the “wizard” to defeat the dark witch Glinda (Michelle Williams) before being able to get all the perks (like having all the riches of Oz) as a king. Oscar obliged with the request but things turned out differently when he met Glinda who happened to be the one who’s really preserving and protecting the land and the people of Oz.

This film was very nice to say the least. It was enjoyable enough but there’s nothing new about it. It was borderline boring but keeps up tremendously with the graphics. I supposed that I should watch it again on 3D to appreciate it more but I actually do liked it. It’s not that bad but it’s not very good as well. There was something lacking in it. I don’t know if it’s the charm of the film altogether or the story development but it was just okay. James Franco’s attack on the role was very commendable. It was almost slapstick comedy without being overly done. Mila Kunis was meh while Rachel and Michelle breeze through with their respective roles. They are magnificent!

So without the stunning images and Franco’s onscreen presence, the film would have suffered tremendously. It was slow paced but it was tolerable. It lacks agility for a fantasy film but covers up with the acting. This movie’s begging for a second try but I’ll pass for now.
Rating: 6.5/10
Director – Sam Raimi
Starring: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff, Bill Cobbs, Joey King
Distributed by Walt Disney Pictures

Review: Warm Bodies (2013)

Warm BodiesCharismatic, funny and subtle with just the right punch – this film is about a zombie named R (Nicholas Hoult) narrating his life living with fellow zombies in an abandoned airport after a seemingly medical apocalypse separating the un-dead and the very small number of humans living in a walled city. Off to look for humans (for food,) R’s group encountered a group of humans on a mission to scavenge medical supplies from an abandon warehouse. On that raid, R killed a young man and eats his brain, absorbing his memories (which according to him earlier – eating the brains of their victims make them more alive.) He then sees the young man’s girlfriend named Julie (Teresa Palmer) but instead of eating her, she was rescued by R from the other zombies and smeared her with blood to cover her scent. R then took Julie to the plane where he lives to keep her safe.

The film was very enjoyable. The mere premise of Zombies having social life is a thought entertaining enough to make you curious to see the film. I was surprised to see the sheer similarity of Teresa Palmer here to Kristen Stewart – well, physically. I much preferred Palmer’s acting. Nicholas Hoult was adorable. I love his awkwardness – it feels so raw yet believable.

That moment when he was absorbing Julie’s memories by eating Julie’s boyfriend’s brain little by little and finally having a dream – affirming his “awakening humanity” was the highlight of the film which made R realized that they can actually interact with humans again (kinda spoiler-ish, sorry).
There’s nothing to really rave about the film. It was altogether a decent deadpan romantic flick which you would enjoy tremendously as part of your list in a “movie marathon night” that you’d be having a few months from now.
Rating: 8/10
Based on     Warm Bodies by Isaac Marion
Distributed by Summit Entertainment
Director: Jonathan Levine
Starrin: Nicholas Hoult, Teresa Palmer, Rob Corddry, Dave Franco, Analeigh Tipton, Cory Hardrict, John Malkovich
@Gateway Cinema 2 Feb.19.2013