Tag Archives: Filipino Film

Review: That Thing Called Tadhana (2015)

That Thing Called TadhanaGoin’ into the theater, I already expected that I’d love it no matter what since it’s starred by JM de Guzman whom I considered a superb performer and being partnered with the feisty Angelica Panganiban – my impression was solidly cemented for good.

A Thing Called Tadhana isn’t your usual pa-tweetums romantic pinoy flick. It’s sooooo far from it. Directed by Antoinette Jadaone, the whole thing was like a local adaptation of Before Sunrise – but definitely has its own charm. Mace (Panganiban) and Anthony (de Guzman) met at an airport in Rome. Both broken-hearted, they decided to take on a road trip in the northern part of the Philippines – a whirlwind trip that went deeper than their new found friendship as they delved into searching where do really broken hearts go?

I just totally loved how their relationship developed throughout their journey. The dialogues weren’t overly dramatic but very memorable. They’re not the usual “one-liners” that border on being contrived. It’s the lines that you’d actually remember the most after watching this film. I especially loved this one  – “Hindi Na Kita Mahal, Makakaalis Ka Na! Yung eight years naming, tinapos niya in seven words!” – I thought it was genius through and through!”

I also loved the fact that it focuses more on dialogues than visuals although it feels like you’re also travelling with them as they went to Baguio, then Sagada (I totally got nostalgic on their way there because Sagada’s one of my favorite places on earth!!!!) – I’m happy that these places were highlighted in the story without out-staging the actors. The only thing I would consider to be an issue about it is the excessive use of profanity which I felt was lazy on the part of the screenwriter. Other than this, it is golden.

JM de Guzman and Angelica Panganiban just had this undeniable chemistry that made the film relatable more than its glaring mass appeal. It’s so refreshing to watch a Filipino film that does not resort to visual grandeur which often does not work in their favor. I loved the film’s simplicity, its funny antics and its touch of nostalgia that everyone could easily relate to. Jadaone created a pierce here that will probably propel her into the mainstream cinema film making. Congratulations!

Director: Antoniette Jadaone
Cast: Angelica Panganiban, JM de Guzman

Rating: 6/10

Review: Ang Lalake Sa Parola [The Man in the Lighthouse] (2007)

Ang Lalake sa Parola has big, big potential. Director Joselito Altarejos could’ve steered this film in a different direction and possibly created a masterpiece. “…Parola” chronicles the journey of Mateo (Harry Laurel), a lighthouse caretaker in a rural town, and Jerome (Justine De Leon), a gay man from the city who seduces the naïve Mateo into a homoerotic relationship.

The plot is deceptively simple yet emotionally complex. It’s a symbolic take on how homosexuality exists even in the most remote corners of society. The myth about fairies serves as significant parallelism to the film’s central theme. And that might be the issue—the film is so full of parallelisms that it fails to deliver a cohesive storyline, resulting in a rather confusing finale.

Probably the best thing about this film is the lead actor. Harry Laurel delivered an incredibly strong performance, especially considering this was his first feature film. His subtle approach to each scene felt natural and believable—you’ll find yourself rooting for him. His slight accent added depth to Mateo’s naïveté, and his occasionally awkward, almost deer-in-the-headlights expressions were oddly charming, fitting the character perfectly.

Justine De Leon, on the other hand, felt a bit forced. While his character was meant to come off as discreet upon arriving in the small town, that restraint quickly faded. He became clingy and overly needy, which didn’t quite align with what the role seemed to demand.

Overall, the film was okay. It may suffer from a weak structure and rely too heavily on symbolism in an attempt to appear intellectually deep, but those flaws are forgivable. The intent was there, and the film still manages to communicate the message it set out to deliver. So yes—despite its shortcomings, it’s still an okay film.

Director: Joselito Altarejos
Starring: Harry Laurel, Justine De Leon, Jennifer Lee, Crispin Pineda, Allan Paule, Sheree, Richard Quan, Dexter Doria

Rating: 6/10

Review: Barber’s Tales [Mga Kwentong Barbero] (2013)

Barber's Tales

Taking place in a countryside setting amidst the decline of the Marcos regime, Jun Lana’s film “Barber’s Tales” primarily focuses on the empowerment of women, which reflects the period’s political turbulence and the consequential rise of Corazon Aquino as the first female president of the Philippines, following the death of her husband.

Recently widowed Malou, portrayed by Eugene Domingo, unexpectedly finds herself running the sole barbershop in town, a business that has been in her husband’s family for generations.

Struggling to attract customers due to her gender, Malou forms a bond with a prostitute named Rosa. Rosa encourages her fellow workers to direct their male clients to Malou’s barbershop or risk exposure. This alliance prompts Malou to gradually assert herself in the male-dominated landscape of the town, where gossip spreads rapidly. However, this endeavor also exposes Malou to perilous situations, forcing her to make difficult decisions to safeguard her legacy.

This movie effortlessly blends humor in a way that makes you pause and ponder whether to take the theme seriously or with a light-hearted touch. Its incorporation of magical realism adds an intriguing layer that softens its more serious undertones. Eugene Domingo’s portrayal, in contrast to her role in “Ang Babae Sa Septic Tank,” showcases her versatility and deep immersion in her characters. Her depiction of anguish resonates profoundly, particularly in poignant exchanges with Iza Calzado’s character, the mayor’s wife. Domingo’s knack for selecting projects that amplify her cinematic charm and her reminiscent style of acting, akin to Whoopi Goldberg, adds an engaging dimension to the film.

While the film’s latter segment leans towards dramatic flair, I thought it could have been executed with a subtler touch, though the desire to tie up loose ends is understandable. The film’s visuals are striking early on but falter in consistency in the later part, while Ryan Cayabyab’s musical score, while occasionally feeling forced, enhances the emotional resonance of each scene.

In essence, “Barber’s Tales” succeeds in drawing audiences to the cinema, thanks in large part to Eugene Domingo. Though the technical aspects may not fully realize their potential, it remains a film that Filipino viewers can proudly showcase on the international stage.

Rating: 8/10

Director: Jun Lana
Cast: Eugene Domingo, Eddie Garcia, Iza Calzado, Daniel Fernando, Nora Aunor, Noni Buencamino, Sue Prado

Barber’s Tales premiered at the 2013 Tokyo International Film Festival where Eugene Domingo bagged the Best Actress Award. It had its Philippines wide release in August of 2014

Review: Norte, The End Of History – Lav Diaz (2013)

Director: Lav Diaz
Cast: Side Lucero, Angeli Bayani, Archie Alemania, Angelina Kanapi, Soliman Cruz, Mae Paner, Hazel Orencio

NorteThis was the Philippine entry to this year’s Academy Awards’ Best Foreign Language Film category. Despite not getting shortlisted, I still believe that this was the best choice for said category. Initially, I would’ve thought that the Barber’s Tales would have a bigger impact but watching one after the other – Norte clearly outshoned the Eugene Domingo-lead film in every aspect.

Set in the Northern region of the Philippines, the film introduced us to Joaquin (Archie Alemania) whose existence is mainly strengthened by his loving wife Eliza (Angeli Bayani). But even love could easily be tested by poverty. When Joaquin’s money-lender gets murdered, pointing fingers led him into prison that transformed his belief altogether into another persona. His wife however struggles to provide for their children as the years of his incarceration goes by.

Meanwhile, the real perpetrator Fabian (Sid Lucero) spiraled down into madness as guilt eats him up even if he thinks he’s already doing penance in his own way.

I was almost certain that I won’t be able to finish this film midway into it but it kept me glued up to the final frame for some reason. The story was compact yet the sequences were a bit longer than I would’ve liked. Archie Alemania’s indelible portrayal was a picture of hopelessness that it breaks you to the core. Sullen and cringe-worthy, Sid Lucero gave me the creeps but I was also rendered breathless by his sudden shift from normal into shifty nature as Fabian. Angeli Bayani’s performance fits the role perfectly and it was a given that she’d do well.

Director Lav Diaz’s vision may have been too ambitious for stretching this film well over four hours but his story-telling  acumen of this prose of a film is what made Norte a tolerable watch [running-time wise – you should be ready to seat your ass out]. The story was gripping, yes. It gave me that feeling when I was watching The Tree Of Life where I’d just like to bolt out of my seat but kept watching because I cannot resist having a glimpse into the next scene. Norte delivers a semblance of the Philippine society that’s still very much happening until now – what with all the politics, the power-abuse and even the inequality was so transparent that I may very well see this film in real life by merely watching the 7 o’clock news.

Rating: 9/10

 Norte was first released via Cannes Film Festival in 2013 with a Philippine wide release September of 2014.

Review: Catch Me, I’m In Love (2011)

via wikipedia
via wikipedia

I was channel surfing this morning, and ABS-CBN Channel 2 was showing Catch Me… I’m In Love. Until today, I was unaware of this film since I’m not that big of a fan of its lead actors. This 2011 romantic film stars Gerald Anderson and Sarah Geronimo working together for the first time. Sarah plays Roan, a hopeless romantic assigned to accompany the President’s son played by Anderson on an immersion trip. The trip leads both in learning more about each other, and soon enough, love ensues despite their differences.

Sarah Geronimo reminds me so much of Regine Velasquez. She has this very charismatic attack on each role given to her and has this great comedic timing. She’s indeed very funny and just as compelling as her role in A Very Special Love, and You Change My Life. The biggest revelation for me, though, is Gerald Anderson. Wow! I never thought that Gerald could act this well! I always thought of him as that teenage boy playing the love interest of Kim Chui since the first Pinoy Big Brother Teen Edition. Boy, was I so wrong about it! I love his portrayal of a carefree, happy-go-lucky presidential son. In this film, he somehow reminded me of the young Chris O’ Donnell in Mad Love and Scent of a Woman. In my opinion, Gerald was the torchbearer of this film!

Sam Pinto here was a great distraction since she could not act here to save her life! Still, I would give her the benefit of the doubt because I think this was her first film, and I just thought throughout her few scenes that she is so damn pretty!

Overall, the story development was cheesy enough that you would melt with it, and I find myself grinning from ear to ear! It was engrossing and very pocketbook-ish. Yes, it was a feel-good film, and I don’t mind watching it again.

Rating: 8/10
 
Director: Mae Cruz
Casts: Sarah Geronimo, Gerald Anderson, Christopher De Leon, Dawn Zulueta, Joey Marquez, Arlene Muhlach, Sam Pinto
Distributed by: Star Cinema

Review: Zombadings: Patayin Sa Shokot Si Remington (2011)

zombadings-poster-400-x-551

It’s just last week that I was finally able to catch one of the most talked-about films of 2011 entitled Zombadings: Patayin Sa Shokot Si Remington. Reason being is that I’m not really big on local films recently because they became too commercialized over the years. I’m glad that some films still offer something new or something fresh like this one. I even wrote a blog about this film that was shown during the Cinemalaya Film Festival last year and thought that the trailer was pretty funny but I didn’t really get the chance to watch its entirety.

The film is about a young boy named Remington who loves pokig fun on gay men (transvestite in general) until he insulted an old transvestite who put a curse on him stating that he’ll turn gay once he grow up. Without realizing it, on his 21st birthday – Remington knew something changed because he suddenly could speak gay-lingo without realizing it and was turning gay in the midst of gay men being hunted by a serial killer in their town.
I guess what I liked most about the film is its concept. It’s very original and very fresh as it uses Filipino gay lingo which are pretty funny. I also loved that they used subtitles for the gay lingos that made the film more relatable and funnier. I think that’s the main thing about the film. It’s not a gay film, it’s actually a movie for everyone. Of course there is the usual stereotyping of gay people such as wearing tacky clothing, working in beauty parlors, being effeminate and all. It was funny in that context but after that, you’d somehow wish that they didn’t show it in a general manner.
On a more positive note, Mart Escudero who played the lead role Remington was definitely the star of the film. The guy can really act and he played it beautifully while being supported by a very strong cast! Somehow, though, the film got lost in the end when the Zombadings (gay zombies) appeared. I guess it’s alright since altogether, the film delivered some good laughs, fresh ideas, great acting and just something new to the  Filipino film industry. Kudos to the creator of this film and everyone involved in it.
Rating: 8.5/10
Director: Jade Castro
Starring: Martin Escudero, Lauren Young, Kerbie Zamora, Janice de Belen, John Regala, Angelina Kanapi, Leandro Baldemor, Daniel Fernando with the special participation of Roderick Paulate and Eugene Domingo

Review: Corazon: Ang Unang Aswang (2012)

via wikipedia
via wikipedia

Corazon Ang Unang Aswang revolves around a married couple, Corazon and Daniel, who have been longing to have a child for a very long time. They reside in the peaceful town of Magdalena. After much struggle, Corazon eventually gives birth to a child, but tragically, the infant dies shortly after. This devastating loss triggers a transformation in Corazon, turning her into a terrifying Aswang creature that instills fear in the village.

The movie takes place in 1946 and deviates significantly from the typical scary Aswang films that viewers might expect based on its title. Instead, it delves into the Filipino myth surrounding the “Aswang.” Interestingly, the term “Aswang” is never mentioned throughout the entire film. According to superstition, Aswangs consume both human and animal flesh, and in this narrative, Corazon engages in such gruesome acts.

I found Erich Gonzales‘ portrayal of Corazon to be remarkable, depicting a rural woman facing ridicule from her village due to her infertility. Although the scenario may seem cliché, Gonzales truly embodies the role. Her innocent charm, along with Derek Ramsay‘s charismatic performance as Daniel, her devoted husband, likely breathed life into the film, their performance saved the film from its sluggish pacing.

Supporting characters Mon Confiado and Mark Gil delivered stellar performances! However, it was Jeffrey Quizon, who portrayed Daniel’s best friend and provided narration at some point who gave the best performance, deserving of an A+ for his convincing portrayal. I, on the other hand, found Tetchie Agbayani’s character to be unnecessary, primarily serving to establish parallels between her past experiences and Corazon’s future. This characterization felt overly predictable, offering little surprise to the audience.

There are a lot of inconsistencies and loopholes in the plot, but I found myself drawn into the film’s atmosphere, making it difficult to pinpoint specific issues. I couldn’t help but question certain aspects though, such as Corazon’s lack of superpowers. If she consumes dead human flesh, shouldn’t she either perish or become poisoned and eventually die? Perhaps I’m underestimating this fact, or maybe she did acquire supernatural abilities that weren’t explicitly mentioned in the film. Additionally, the scenes depicting Corazon in her malevolent state reminded me of the “monsters” seen in other Asian horror films like The Ring and The Grudge. Nevertheless, these visuals enhanced each scene, adding to the overall intensity of the film.

On a more positive though, I found the cinematography of the film to be exceptionally well done. Each frame was captured with remarkable consistency, and the accompanying score deserves praise for enhancing the atmosphere of crucial scenes. One scene that stood out to me was when Corazon ventured to the hill to pray for two weeks; the scene incredibly eerie and Erin was just manificent there.

Overall, the film’s plot doesn’t offer much substance, narrowly focusing on the dramatization of the purported first “Aswang,” a creature conceived by the townspeople that later became a part of Filipino folklore. However, one positive aspect is the subtle incorporation of our enduring folklore, which younger viewers may or may not fully appreciate.

Rating: 6/10
Director: Richard Somes
Main Cast: Erich Gonzales, Derek Ramsay, Mark Gil, Jeffrey Quizon, Mon Confiado, Tetchie Agbayani

Special Screening at Shangrila Cineplex 4 on March 14, 2012 Officiated by the Ericholics

 

Review: Mamarazzi (2010)

via wikipedia

I wasn’t initially excited about catching this film in theaters, but I thought it would be a decent way to spend some time, especially with Eugene Domingo in the lead role. I anticipated laughing non-stop, and that’s exactly what happened. While there’s nothing new about its humor, Eugene’s performance is simply outstanding. She’s incredibly funny and astute. It’s not a cerebral film by any means, but it’s undeniably entertaining. However, there’s this one scene—an ice-skating rink dance sequence—that’s downright bizarre and feels like a total detour. It’s so out of left field, almost like the audience was given a 10-minute break to do whatever they pleased. It was jarring, cheesy, and awkward, to say the least.

John Lapus also provided excellent support in the film, along with Diether Ocampo and Carla Abellana. AJ Perez, Andi Eigenmann, and Arron Villaflor served as eye candy, fulfilling their roles adequately. If you’re seeking a hearty laugh, this film is worth watching. However, if you’re in search of top-notch direction, consider checking out “Salt” or “Inception,” which I believe are still screening.

Rating: 7.5/10

Director : Joel Lamangan
Cast : Eugene Domingo, John Lapus, Diether Ocampo, AJ Perez, Andi Aigenmann, Carla Abellana, Xian Lim, Arron Villaflor, Carl Guevarra, JC Tiuseco, Lucho Ayala, Sam Bumatay

Review: Kimmy Dora – Kambal Sa Kiyeme (2009)

via wikipedia
via wikipedia

My quick thoughts after watching this on DVD: Eugene shines in a dual role as the dominant Kimmy and her sensitive sister Dora, reminiscent of Dora the Explorer in a hilariously quirky way. With a stellar cast, laughter is guaranteed in every scene. While the storyline may lack depth and veer into exaggeration, Eugene’s punchlines will keep you entertained throughout. Special mention goes to Miriam Quiambao’s portrayal as Kimmy Dong Hae’s resilient assistant. Kimmy Dora isn’t about intricate plots; it’s about enjoying a good laugh and spotting your favorite TV and music stars. So, if you’re up for a comedy that promises laughs and celebrity cameos, Kimmy Dora is your ticket to entertainment!

Ratings: 8/10

Director: Bb. Joyce Bernal
Cast : Eugene Domingo, Dingdong Dantes, Zanjoe Marudo, Miriam Quiambao, Baron Geisler, Ariel Ureta