Book Review: Lady Tan’s Circle of Women by Lisa See

Lady Tan’s Circle of Women by Lisa See offers a mesmerizing portrayal of Tan Yunxian’s remarkable journey from a compliant spouse to a defiant healer, defying societal constraints to pursue her medical calling. The narrative artfully navigates Yunxian’s evolution, painting a poignant picture of her personal development amidst the backdrop of a male-dominated Chinese society that affords women little to no rights.

The novel provides a compelling historical perspective, delving into the intricacies of traditions such as foot binding, concubinage, and familial hierarchies, shedding light on the harsh realities faced by women. The vivid depiction of these practices, particularly the distressing details surrounding foot binding, was a bit disturbing to say the least. See’s descriptive prowess brings to life the opulent palaces and intricate attire of the era, enriching the reader’s immersion in the setting.

Central to the narrative is the exploration of women’s roles within familial and social structures, underscored by the strength of their friendships.

The characters are skilfully crafted, with Lady Tan emerging as a beacon of courage and innovation, while Meiling, the compassionate midwife, adds depth to the storyline. Despite occasional pacing issues, the novel resonates with the profound significance of relationships and the unwavering support of female camaraderie in the face of adversity.

Overall, I thought Lady Tan’s Circle of Women is a beautifully rendered testament to the resilience of the human spirit and the enduring power of female solidarity, making it a wonderful read for fans of historical fiction.

Rating: 4 out of 5 stars
Published on June 6, 2023 by Scribner

About the Author
Lisa See is the New York Times bestselling author of The Island of Sea Women, The Tea Girl of Hummingbird Lane, Snow Flower and the Secret Fan, Peony in Love, Shanghai Girls, China Dolls, and Dreams of Joy, which debuted at #1. She is also the author of On Gold Mountain, which tells the story of her Chinese American family’s settlement in Los Angeles. See was the recipient of the Golden Spike Award from the Chinese Historical Association of Southern California and the Historymaker’s Award from the Chinese American Museum. She was also named National Woman of the Year by the Organization of Chinese American Women.

My Oscars 2024 Best Dressed!!!

It’s been ages since my last Best Dressed post, way back at the 2018 Met Gala! With some downtime on my hands, I couldn’t resist dishing out my top picks from the red carpet at today’s Oscars, so without further ado, here are my top 10 best dressed…

Past Lives actress Greta lee looks so chic, clean and elegant with this simple black look from Loewe! An absolute stunner!

Ariana Grande is in Giambattista Valli Haute Couture looking oh-so glorious! The Wicked star announced the winner for Best Original song!

Best Actress nominee Sandra Hüller looks absolutely smashing with this Schiaparelli creation!

America Ferrera donned a sparkling pink Versace gown as a tribute to Barbie. For her role in Barbie, America snatched her first Best Supporting Actress nomination! This really is a beautiful look from head to toe! 

Margot Robbie looks immaculate in this black sequined Versace gown. She may not have won anything earlier tonight, but she’s a winner in my book with this look! 

Emma Stone consistently dazzles on the red carpet, and this custom pale mint peplum gown from Louis Vuitton is simply flawless on her! She was dressed to win her second Oscar Best Actress throphy for Poor Things! Congratulations Emma!

Lupita Nyong’o announced the winner of the Best Supporting Actress award while wearing a powder blue silk embroidered gown by Giorgio Armani Privé, adorned with crystal beading. As usual, Lupita never disappoints!

Anya Taylor-Joy stuns in Dior with jewelry from Tiffany & Co. Just like Zendaya, Anya always knows how to work the red carpet! 

Carey Mulligan, who was up for best actress for Maestro, looks elegant in a black-and-white Balenciaga mermaid dress! One of my absolute favorites of the night! She’s everything!

As soon as Zendaya stepped onto the stage, two words came to my mind – luminous and ethereal! Her collaboration with her longtime stylist and friend, Law Roach, never disappoints. Zendaya stunned in an antique rose silk gown by Giorgio Armani Privé, perfectly complemented by elegant drop earrings, a ring, and bracelet from Bulgari. She’s truly a vision to behold! This might just be one of the most stunning looks to ever grace the Oscars red carpet!

Lemme know who your favorites are!

Oscars Winners 2024 — Predictions and Afterthought

I’ve accurately predicted 14 out of 23 categories, which comes out to about 60%. It’s not my lowest success rate over the past three years on Gold Derby, but it’s not my best either. I had a feeling I should have stuck with the winners of the precursor awards, but the Academy has a reputation for making unexpected choices sometimes. Overall, I’m quite content with the outcome. I really thought Lily would win Best Actress, but I also believe Emma was very much deserving of the recognition.

As for Best Original Song, I was particularly confident about “I’m Just Ken” because I feel that the Academy might go for something unexpected this year just to make noise. LOL

Wow, Poor Things overperformed! I was convinced Maestro had the makeup and hairstyling category locked down. Tough break, Bradley!

The Boy and the Heron taking the win is just fantastic news! I was on the edge of my seat, especially considering the strong campaign for Spider-Man: Across the Spider-Verse. Seeing Hayao Miyazaki come out on top is truly gratifying.

A big round of applause for Godzilla Minus One as well! What a tremendous victory for Japan! Perfect Days should’ve won, tbh, but to each his own. 


Here are the the winners:

Best Picture – Oppenheimer

Best Director
Christopher Nolan — Oppenheimer

Best Actor
Cillian Murphy — Oppenheimer

Best Actress
Emma Stone — Poor Things

(I predicted Lily Gladstone for Killers of the Flower Moon)

Best Supporting Actor
Robert Downey Jr. — Oppenheimer

Best Supporting Actress
Da’Vine Joy Randolph — The Holdovers

Best Adapted Screenplay
American Fiction

(I predicted Oppenheimer to get this)

Best Original Screenplay
Anatomy of a Fall

(I predicted The Holdovers to win this one)

Best Visual Effects
Godzilla Minus One

Best Costume Design
Poor Things

(I had Barbie here)

Best Makeup and Hairstyling
Poor Things

(I predicted Maestro here)

Best Cinematography
Oppenheimer

Best Production Design
Poor Things

Best Sound
The Zone of Interest

Best Film Editing
Oppenheimer

Best Original Score
Oppenheimer

Best Original Song
“What Was I Made For” — Barbie

(Tsk. I should have stuck with Billie here. I predicted I’m Just Ken to pull an upset instead)

Best Animated Short Film
War Is Over! Inspired by the Music of John and Yoko

(I predicted Letter to a Pig)

Best Live-Action Short Film
The Wonderful Story of Henry Sugar

Best Documentary Short Film
The Last Repair Shop

(I predicted The ABCs of Book Banning)

Best Documentary Feature Film
20 Days in Mariupol

Best International Feature Film
The Zone of Interest

Best Animated Feature Film
The Boy and the Heron

Review: Napoleon (2023)

Nominated for Best Costume Design, Best Production Design.

I won’t be writing a long review for this because I fear that if I do, it would sound like I’m just a hater. This nearly three-hour odyssey offers glimpses of Napoleon’s brilliance amidst a sea of sluggish storytelling.

I’ve read a few accounts about Napoleon, and naturally, I’d expected some epic battles and grand conquests, only to find myself tangled in a web of sexual repression, marital infidelity, and the mundane daily life of our characters.

While the movie’s visuals and production design dazzle, the narrative just falls short for me. Joaquin Phoenix delivers a commendable portrayal of Napoleon, despite the distraction of his noticeably older appearance and weird accent.

My main issue, as I’ve mentioned earlier, is its pacing. The film just drags on. Period drama enthusiasts may find themselves disappointed by the sluggish pacing and the lackluster performances overall. 

Though the movie captures some elements of Napoleon‘s complexity, it falls short in historical accuracy and fails to prioritize the most significant aspects of his life and career. While it may entertain those looking for a fictionalized take on history, history buffs may find themselves frustrated by its deviation from the truth.

In the end, “Napoleon” offers glimpses of greatness but ultimately fails to deliver a truly captivating cinematic experience. Two stars for effort, but I truly believe that this character deserves better treatment.

Rating: 2 out of 5 stars

Directed by: Ridley Scott
Produced by: Ridley Scott, Kevin J. Walsh, Mark Huffam, Joaquin Phoenix
Cast: Joaquin Phoenix, Vanessa Kirby, Tahar Rahim, Rupert Everett, Ben Miles, Ludivine Sagnier, Matthew Needham, John Hollingworth, Youssef Kerkour, Sinead Cusack, Julian Rhind-Tutt, Phil Cornwell, Édouard Philipponnat, Jannis Niewohner, Miles Jupp, Edward Bennett etc…

Book Review: All the Lights Above Us: Inspired by the women of D-Day by M. B. Henry

I’ve had this book on my e-reader for quite some time, and I even wrote a review for it back in 2021. However, I recently realized that I forgot to publish it on my blog. I only discovered this oversight when I was reviewing my drafts. My apologies to M.B. Henry, sorry for the very long delay.

The story of All The Lights Above Us unfolds in the days leading up to D-Day, told through the perspectives of five different women. Mildred, a renowned radio personality in Berlin, shares her experiences. Theda, a 26-year-old nurse with the Voluntary Aid Detachment in Portsmouth, England, seeks independence above all else. Adelaide, residing in Sainte-Mere-Eglise, France, is a devoted mother on a desperate search for her daughter and granddaughter amidst the chaos of war. In Caen, France, occupied by Germans, Flora works as a messenger for the Resistance. Meanwhile, Emilia, also in Caen, works as a German typist for the highest Gestapo/intelligence office, navigating the complexities of her role.

I adored the characters in this book! Each of them possessed distinct personalities, complete with their own set of strengths and weaknesses. Moreover, I found them relatable because they grappled with choices that resonated with the things we are facing today.

While I appreciated the various viewpoints on the pivotal day of WWII, I found the storytelling execution to be a hindrance to my full enjoyment. Five different points of view proved challenging, especially as only Flora and Emilia’s narratives intersected, essentially presenting five distinct storylines. Some plotlines captured my interest more than others. Nonetheless, I got some valuable insights from the book and am in awe of the resilience demonstrated by these women amid their harrowing experiences.

At the end of the book, it lists real events and people mentioned in the story. Overall, I really recommend this book. The writing is great, easy to read, and creates vivid pictures, making it a fascinating read, especially for people who like historical fiction.

Rating: 4 out of 5 stars
Published May 10th 2022 by Alcove Press

Review: Killers of the Flower Moon (2023)

Nominated for Best Picture, Best Director, Best Actress, Best Original Score, Best Original Song, Best Production Design, Best Cinematography, Best Costume Design, Best Film Editing.

Martin Scorsese’s “Killers of the Flower Moon” clocks in as his longest film to date, spanning three hours and 26 minutes. Adapted from David Grann’s 2017 non-fiction work, the film delves into the 1920s Oklahoma backdrop, focusing on the harrowing narrative of Osage members falling victim to a string of homicides following the discovery of oil on the tribal land of the Osage Nation.

The film unveils a haunting narrative of greed, revealing how the pursuit of wealth permeated even the treatment of Native Americans, casting them as obstacles to prosperity.

The film, as mentioned above, was very long, but its measured pacing is matched by the exquisite acting from the cast, especially by DiCaprio, Gladstone, and De Niro. DiCaprio showcased his versatile talent, seamlessly transitioning between emotional states, while Lily Gladstone, portraying Mollie Burkhart, maintained a captivating idealism throughout her trials. Her understated portrayal effectively conveyed emotions without verbal expression. In my opinion, they all deserved an Oscar nod, and I’m very happy that Gladstone at least received acknowledgment.

Despite its length, the film remained engaging. However, the attention given to the antagonists left me feeling more contempt towards them than sorrow for the victims and their families.

Although I haven’t read the book yet, I’m certainly intending to explore it thoroughly for a deeper understanding of this tragic event. 

This film is an absolute must-watch for its grand depiction of a tragic yet often overlooked piece of history. The fact that it’s based on real events makes it all the more poignant, leaving audiences utterly heartbroken by the end.

Rating: 4 out of 5 stars

Directed by: Martin Scorsese
Produced by: Dan Friedkin, Bradley Thomas, Martin Scorsese, Daniel Lupi
Cast: Leonardo DiCaprio, Robert De Niro, Lily Gladstone, Jesse Plemons, Tantoo Cardinal, John Lithgow, Brendan Fraser

Review: Poor Things (2023)

Nominated for Best Picture, Best Director, Best Actress, Best Supporting Actor, Best Adapted Screenplay, Best Original Score, Best Production Design, Best Cinematography, Best Makeup and Hairstyling, Best Costume Design, Best Film Editing.

I’ve heard a lot of things about this film, and one of them is that it’s too graphic, so I was somewhat prepared but still found myself occasionally taken aback. Personally, I’m not keen on excessive sex scenes in non-pornographic films, haha, so the abundance of that here was quite WOW.

Setting that aside, which admittedly was difficult, I found the film pretty engaging. It delves into themes of learning, female empowerment, and the journey to adulthood in a captivating and multifaceted manner. Its narrative, both heartfelt and eccentric, explores the essence of adventure, self-discovery, and the profound significance of life’s journey.

The performances by Emma Stone, Mark Ruffalo, and Willem Dafoe are truly outstanding. Stone, particularly in her role as Bella, portrays a captivating journey of self-discovery and growth. Her character’s evolution and assertion of her desires are depicted with remarkable authenticity, showcasing Stone’s talent for capturing the essence of seizing control over one’s destiny.

The production design is impressive, with top-notch cinematography and costume design adding depth to the film’s visual appeal.

In summary, Poor Things is an inventive, visually stunning, and genuinely amusing film. I’m not sure if I will be rewatching it anytime soon, but it’s definitely an experience.

Rating: 3 out of 5 stars

Directed by: Yorgos Lanthimos
Produced by: Ed Guiney, Andrew Lowe, Yorgos Lanthimos, Emma Stone
Cast: Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Christopher Abbott, Jerrod Carmichael

Review: Oppenheimer (2023)

Nominated for Best Picture, Best Director, Best Actor, Best Supporting Actor, Best Supporting Actress, Best Adapted Screenplay, Best Original Score, Best Sound, Best Production Design, Best Cinematography, Best Makeup and Hairstyling, Best Costume Design and Best Film Editing.

Set during a major moment in history, the movie dives deep into J. Robert Oppenheimer’s life with incredible detail and authenticity. Nolan’s careful attention to every aspect of the film, from the special effects to the cast, shines through.

Led by the remarkable Cillian Murphy in a career-defining role, the performances in “Oppenheimer” are nothing short of incredible. Robert Downey Jr., Emily Blunt, and Matt Damon shine in their respective supporting roles, adding layers of depth to an already stellar cast.

The movie’s pace keeps you hooked, with multiple storylines unfolding seamlessly. The hauntingly beautiful music by Ludwig Göransson adds to the overall experience, and Nolan’s refusal to use CGI makes everything feel real.

While some might nitpick some scenes, like the Trinity test, it doesn’t take away from the overall greatness of the film. “Oppenheimer” showcases Nolan’s storytelling genius and solidifies his place as one of the best directors ever.

In short, “Oppenheimer” is a masterpiece that goes beyond typical historical movies. It’s a must-watch for anyone who loves historical films and this cements Christopher Nolan’s legacy as a visionary and one of the best filmmakers in history.

Rating: 5 out of 5 stars

Directed by: Christopher Nolan
Produced by: Emma Thomas, Charles Roven, Christopher Nolan
Cast: Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh

***I’ve watched Oppenheimer around the same time I’ve seen Barbie, and they’re so opposite, and I feel that I kind of messed up my review here, so I’m adding a few things I remembered from the film. ***

Review: Past Lives (2023)

Nominated for Best Picture and Best Original Screenplay.

“Past Lives” is a semi-autobiographical narrative that draws from the experiences of its writer and director, tracing the journey of two childhood friends across 24 years as they navigate the evolving nature of their relationship and diverging life paths. It offers a poignant exploration of fate, choices, and the complexities of human connection.

The film unfolds as a meticulously crafted story about human connections, losing them over time, and reconnecting in the future. Greta Lee delivers a captivating performance, complemented by John Magaro and Teo Yoo’s raw and understated acting, creating a palpable on-screen chemistry with both.

I think one of the film’s strengths lies in its sensitive portrayal of the immigrant experience, capturing the intricacies of cultural adaptation and belonging. It has profound dialogue, nothing that is contrived, and will most likely resonate with a lot of people. 

However, I find the pacing excessively slow, as the narrative unfolds gradually without significant plot developments.

I still think that its nomination for Best Original Screenplay is well-deserved, reflecting the depth of Celine Song’s storytelling in offering a nuanced exploration of human relationships. Celine Song really delivered a riveting debut of a film that is quite understated but still hits home.

Rating: 3 out of 5 stars

Directed by: Celine Song
Produced by: David Hinojosa, Christine Vachon, Pamela Koffler
Cast: Greta Lee, Teo Yoo, John Magaro

Review: The Holdovers (2023)

Nominated for Best Picture, Best Actor, Best Supporting Actress, Best Original Screenplay, Best Editing.

image courtesy of impawards.com

“The Holdovers” transports audiences back to the winter of 1970, where a group of boarding students find themselves stranded at school during the Christmas break. Amidst the watchful gaze of a strict classics teacher and the school’s head cook, their holiday takes an unexpected turn, leading to stirring character development that reveals both virtues and flaws.

What sets this film apart is its refreshing originality, offering a fresh narrative that breaks free from remakes, sequels, or true-story adaptations. The storyline is straightforward, but it is elevated by the exceptional performances of the cast. The chemistry between the leads is palpable, with Paul Giamatti and Da’Vine Joy Randolph delivering standout performances, while newcomer Dominic Sessa is such a revelation in his pivotal role.

Director Alexander Payne delivers a brilliant homage to 70s cinema, capturing the era’s aesthetics flawlessly. The stellar cast, including Da’Vine Joy Randolph, Giamatti, and Dominic Sessa, delivers Oscar-worthy performances, infusing the film with both heartbreaking and heartwarming moments. I’m going to nitpick its pacing, but it’s an overall charming, heartwarming, and thought-provoking comedy-drama that is going to be one of the nostalgic holiday classics in years to come!

Rating: 4.5 out of 5 stars

Director: Alexander Payne
Produced by: Mark Johnson, Bill Block, David Hemingson
Cast: Paul Giamatti, Da’Vine Joy Randolph, Dominic Sessa